supported by: luciano, richie hawtin, laurent garnier, reboot, d julz, joris voorn, dixon, jimpster, dj-t, martin landsky, luna city express, gel abril, roberto rodriguez, shinedoe, lauhaus ...
soulfooled detailed imprint brings friend and partner in crime, salvatore freda, on catalogue no.3. with releases on labels such as freerange, liebedetail and remote area to name a few, savatore has already made it into the record-boxes and charts of almost every high-rated dj and producer. his music, reaching from deep house to more forward moving techno-house, has one specialty, which makes the swiss staying in everybodys mind. the groove! this man knows what he is doing ... so its no wonder, that this three tracker on soulfooled shows his outstanding abilities again. remarkable techy grooved monstersl!

mastering by d+m berlin ... awareness level (sspt 004) comes with two high qualified dub techno streams with fantastic chords and very deep atmospheres. this vinyl record release part has appreciable darkness and affability with excellent progression in both tracks. sspt004 is stricly limited to 300 copies in 12inch vinyl format only. supported by levon vincent.

ray okparas ama recordings back again! with ray first release on his own label

roberto cravallo has been hooked on vinyl since he bought his first 7inch at a flea market 1976. he made first steps djing in 1977 doing some dj performances at a sunday afternoon tea dance by using lenco lc 75 turntables. the edits he has produced for >solid disco gold< are extracted from and influenced by his enormous record collection that he has accumulated over the last 30 years. and he is still diggin the crates at carboot sales and second hand record stores today!

frenchman julian jeweils second ep on richie hawtins plus 8 label is sure to confirm jeweils status as one of technos most reliable talents. the four track ep encompasses everything jeweil has honed in his ten year plus career – tough sounds, high energy and a fusion of electro and minimal that hypnotises as much as moves you. thus far it has come on labels like cocoon and skryptöm records, whilst at the same time jeweil (real name julien bérard) has been busy playing underground parties all across his homeland.

on their last album franz and jakob aka format b were to be found covered in soot and coal, firing up the engines of the dance locomotive, now they have gone greener and swapped over to wind power and are fishing the >restless< oceans of the world. tirelessly the two sailors work on the deck disregarding the cold and the weather, pulling in the nets filled with floundering hits. this time they have spiced up the bait with the amazing voice of fran on >liquid< who turns into a working class siren and manages to rock the boat properly with track 2. keeping with the maritime theme the boys have used a harmonica on >socks and sandals< and a piano on >piano man<. classic format b can be found on >atomizer< and >oversexed< … kicking man high bass beats to thrill the four quarter beat fans, and >biker meth< is going to keep you dancing till noon (at least). even with the pressures of jet setting, label management, party organisation, building a studio, and the romantic needs of their girlfriends they have still managed to finish their first formatik album to their complete satisfaction and are extremely proud to present the first artist album on formatik records. ahoi and enjoy people!

ketama records is russian vinyl and digital label established by famous ketama cafe which is definitely one of the best chill out places in moscow. ketama records was created in 2011 to release quality downtempo, chillout, ambient and leftfield music by the most respectable and talented international artists of these genres.
ketama records first ep is a cosmic single sirtaki on mars by omfo project completed with amazing remixes made by the orb vs high frequency bandwidth, abakus and electrosoul system.
comes on smokey orange vinyl (transparent orange, black marbled).

autoreply offshoot stuga returns with a highly playable 12 inch that is perfect for the outdoor party season. for this release we welcome back ben rourke who has previously recorded for autoreply, his blue ep collaboration with friend pier bucci having sold out instantly and going on to receive critical acclaim. his tracks effortlessly build without the aid of well known formulas always using high end sound design but never forgetting that house and techno music is essentially meant for dancing. >tahiti< is one of those tracks thats perfect for the big room or after-party alike featuring bouncy percussion, an analogue bass-line that will properly drive the sound system and one of the most infectious synth-sequences of the year. in fact the mans developed a whole new genre, desert island techno! >sharpie< explores the deeper realms of dub driven techno with a very liquid approach just so slightly tipping its hat to the 90s detroit vibe and still very much aimed at the floor. enjoy.

david moleon is an expert dj and producer with 13 years of experience. it is common to see david share line ups with big names like dj pepo and cristian varela, who praise his immense creativity and talent as a producer. david has a special knack for producing hit tracks that have become essential parts of the sessions of europes most popular artists, including ben sims, pepo, cristian varela, robert natus, eric sneo, dj murphy, dj link, cesar almena and nuke amongst others. both his dj sets on 3 turntables and his live-acts are examples of high-quality djing, technical ability and force, making him a well-rounded dj, and particularly the stand-out artist from the south of spain.with over 50 records in the market, on labels such as patterns, submission, cobra, soul access, sp series, adult, etc. david has become the most prolific techno producer in spain. in europe, he is know as la joya espanola (the spanish jewel).

the fusion of ramons high energy peaktime flavours with sandys signature of uplifting melodies and sassy house harmonies defines a new sound, giving you two melodies that drive you to the housier side of techhouse life.

the first official release by the berlin duo, samanta fox aka daniel frank gizzie iii and jean-daniel tömör. they hold a residency in berlins famed salon - zur wilden renate where they do their bi-weekly whiskey tango foxtrott night. prior to being involved in samanta fox, jean-daniel was known as lazymouth with his partner thomas tietz. what a woman needs is the foxy duos first step into the production world together and encompasses what the boys to convey in their eclectic, yet forward thinking dj sets. a tr-808 tom driven bass-line and ghostly strings move the track along while a 909 high hat/kick drum combo keep the rhythm flowing.the b-side is a remix by the swift. the swift is also one of renates residents and his bi-monthly voyage voyage night brings a premium list of emerging artists to the berlin club scene. witness his swiftness take the foxs a-side to another level of house. a floor burner for sure.

wow! what a year the wolf music crew are having. every release gets better and better. each time serving up a unique new offering from a variety of artists all with one thing in common: extremely high standard of production. all too often labels release good but not great music but wolf music is a testament to what searching high and low for the freshest artists with the best skills can really achieve. wolf ep 009 is no different. one often talks about real class produces and labels and buzz names and the next big thing … but only do a handful of labels ever live up to the manufactured hype they seem to receive. wolf music not only lives up to it but indeed outshines it. this ep is a must have for any dj/music connoisseur who truly knows their trade.

the musical heavyweight matthias vogt is back on polytone. after the success of his first ep >together as one< - sold out vinyl edition, excellent feedback from top djs, first track on the big city beats compilation vol. 13 cd 3 - the second ep arrives on polytone. the polytone boys knew right away that >copying the future< has the potential to be a classic. a track with character and a high recognition value: hypnotic rave stabs and uplifting chords combined with a driving groove will send shivers down each true music lovers spine. >copying the future< is delivering deja vus without copying the past - a great track with a past and a future, deeply rooted in the here and now. >stillach< claps its way into every listeners ear. the b side of the ep named after a mountain stream in the allgäu is calm and also powerful with a slow, minimal and very tight groove. vogt is going deeper! matthias vogt once again demonstrates his great musical skill and versatility.

four more remixes from the worse for wear album with three different takes on hallow discourse from petes edit which is close to the original, abstarxions high energy italo style to the pitched down version by fabrizio mammarella. stopmakingme version of peculiar protagonist is straight for the big room.

as the instruments of rapture series draws to a close, the penultimate release comes courtesy of one of our favourite producers, tornado wallace. >rainbow road< sees captain wallace take us on a star-bound, jazz-funk journey where time stands still and emotions run high. with the equally positive >dont hold back< and a revenge remix on the flip, this is a fitting build-up for the final instalment on the label.

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

der dritte raum is a super project at constant altitude flight. releasing music on labels such as harthouse and cocoon since the early ninetees der dritte raum has established a name for high quality electronic music and a live show you will never forget. with their Überhit >swing bop< 3 years ago der dritte raum has kicked off a still going roaring-20s-hype in the electronic music scene in berlin and anywhere else. now here we go with the remixes of this epic piece. the question was: who could remix this unique track withut making it just a worse copy of the original? the answer: t.raumschmiere might turn this track into a dirty wrecking rave monster and as a complementary addition, acid pauli might be a good choice to take the track in a totally different direction. well, t.raumschmiere did what we expected, just in an even better way than we hoped, and acid pauli did as well. he gave swing bop an outfit that makes it sound even more dreamy and out of time and space. enjoy!

early support from marcel dettmann, dvs1, shifted, lucy, par grindvik, tommy four seven, speedy j, asc, go hiyama, xhin and many more.
perc traxs transatlantic duo donor / truss return to the label for the follow-up to their >indifference ep< which was released at the start of 2010. since then they have recorded and remixed for a number of high-profile labels, most notably stroboscopic artefacts to which donor contributed an ep to the labels renowned monad series whilst truss appeared on the remix ep the preceded lucys debut album.
the four tracks that form >endo< represent a new peak for the donor / truss sound with each individual section working as both a self-contained track and a quarter of the entire endo experience. together the 4 parts join together to make a complete piece of music, stretching across 23 minutes and 2 sides of vinyl.

serial chart toppers bombstrikes are back again with another ep of club wrecking music. canadian j-roc is at the controls for this one and the end result is a great showcase of how the sould out dj is carving a niche for his own brand of quirky and bass influenced music. also on the ep is a colab with label boss mooqee, so as you would expect from bombstirkes, the pedigree involved is high on this one.

following on from their club smash >high on life<, east west connection aka dr bob jones and lofty offer a full on jazz tinged sizzler complete with horns, percussion and hint of latin thrown in for good measure. alongside lofty and bobs musical craftsmanship >we re movin on< showcases the amazing vocal talent of funk singer sandy mill. piping hot latino jazz groove guaranteed to set dance floors alight!

dismantle unleashes his debut release for n-types wheel & deal records, a label coming on leaps and bounds since their debut album compilation release, a highly prolific label launching the careers of many upcoming producers. dismantle is no different - he is set to blow up this year with an ep also pencilled in walshs biscuit factory label – high energy dubstep for fans of hardcore gaming!

terror danjah finally returns to the airwaves with his first new material since 2010s >undeniable< album on hyperdub. the masssively-anticipated >full attention< is the first step in the resurrection of his patented rhythm & grime sound, the style he made his name with in the early noughties with vocalists like shola and sade ama. this time out, ruby lee ryder is his voice of choice, and her distinctive vocal has already landed the track on the bbc 1xtra playlist, with further spins on radio 1 and rinse fm, and its a fixture in the boxes of djs like skream, mistajam and target. advance club promo has generated a ridiculously positive response right across the board, with hard support from brackles, swindle, alex nut, blackdown, wylie, and many many more, setting the scene for >full attention< to become an anthemic club and commercial hit as soon as it reaches the shops. on the flip mr danjah drops his trademark gremlinz logo for two 8 bar grime smashes that have been doing the rounds on rinse fm for the last half year. >east village< is a toast to the nights hardrive label hosted at the london club of the same name, and >jeckle & hyde< (exclusive to this 12 inch) has been battered in the raves by logan sama, zomby, and elijah & skilliam just to name only a few. this marks the beginning of a hefty release schedule for the grime kingpin including more high-impact singles and remixes on the way for greensleeves, butterz and hyperdub.

the third release from the nsfw gang. you know the score, upbeat, high energy dancefloor dubstep for the masses!

new year deal - purveyors of maximal minimalism in bass music, crushington explore the mid-tempo soundworld of dubstep. inspired to step outside of their box by a face-melting new years eve performance from skream and benga, for the last two years, crushington have sonically sculpted their own, well-received take on dubstep. lacking a developed knowledge of the genre, their unaffected explorations into different tempos and grooves have caught ears everywhere, leading to dj support from n-type, jakes, emalkay, distance, seven, truth, bulletproof, datsick, excision, hatcha and headhunter. along the way, they have collaborated with, or remixed for black sun empire, spl, truth, optimus gryme and bulletproof. with high profile support and collaborations boiling over left right and centre and several boutique vinyl releases to their credit, dj bookings across new zealand and australia have come quickly and to lauded receptions. old school producers and djs from the era of vinyl and by ear engineering, their sonic fidelity has seen their crushington tunes described by the likes of antiserum as the perfect studio mixdown reference. to put it in simpler terms, crushingtons subwoofer rupturing arrangements are fast becoming a standard setter with in the international dubstep community, where things go next from here though, only time will tell.

a true journey through sound, felipe venegas >i ching< pushes house music to extraordinary levels with its complex passage through sound. on the flip, >orisha chango< sees felipe utilize his skills to ignite the dance floor the as he delivers a powerful yet sensual cuban influenced track. a bounding rubbery bass line and velvet spoken vocals roll as the gods of the yoruba mythology are listed. as tightly sprung samples ricochet against each other, >orisha chango< reaches its high in the last two minutes, its production excellence throwing us around in rich texture.

backspin, josh loves last baby, is a techno label, mostly focusing on tribal, funky and hardgroove techno! backspin, as kazoo records, will be releasing tracks from various famous techno producers but also from some new rising stars! if you are looking for some high quality techno tracks with latin, funky or groovy influences, you ve found a new treasure.
this third ep features tracks by fer br & thermo, jesus soblechero, josh love, wyrus. a gig hitter for fans of labels like patterns, moopup and basics!

kris wadsworth is an integral part of detroits new wave, and with its time he wears his citys heart on his sleeve, delving into the electronic music legacy of his home town and showcasing the range of his own talent. the epic 10-minute title track >its time< is secret journey through the citys pulsing underground. it begins with a primal techno kick that rings out from afar, distorted by distance and brimming with a sense of anticipation. a gravelly male voice demands to know what time it is, declaring that >its time for that dirty shit, that dope shit, that detroit shit<, and the beat then kicks in, gritty and purposeful. the track then does a surprising about-face, abandoning the fist-pumping techno for just high hats and vocals, and transforming into a new phase that nods to detroits other great legacy: electro. grimy electro breaks and wiry melodies are spun before evolving again into deep house, with a see-saw duet of pads, and double-time hand claps. kris own >move dat ass remix< of his track >det sound< takes the dubby 2010 original, and reworks it as a ferocious bass and drums workout with dizzy vocal arrangements and blasting sirens.

after two outstanding 12inch releases on dial records roman flügel continues with fatty folders, a full-length album presenting a colourful selection of essential works. also known as eight miles high, soylent green, sensorama and alter ego- roman flügel always has been a main influence of the dial records family. roman flügels unique and unexpected productions introduce us to an excitingly wide range of eclectisism, modernism and dandyism under a groove. every single track is a magical journey it self the whole album a universe deep like the ocean. here comes a true sound scientist who knows how to enchant the dancers, the connaisseurs, the lovers

originally set up as an outlet for his own work as well as that of his close friends, eatbrain is now set to become one of neurofunk s most daring labels. with its first release featuring jade & state of mind s here we go and audio hypnosis from jade himself on the flip, this budding label has forced people to take notice from the very beginning.
the venom remix ep follows things up in a big way and can be seen as a statement of intent, with four tracks from jade s very own venom lp getting high profile remixes from some of the neurofunk scene s most prestigious names. with a back catalogue already boasting jade, black sun empire, fourward and mindscape among others by only its third release, eatbrain is a label with big plans - and big sounds to match.

ashford & simpsons return to europe for the first time in 20 years is celebrated with the release of this 16 classic song compilation on limited edition double album. nicholas ashford & valerie simpson are soul icons responsible for gold and platinum hits through the 60s, 70s and 80s for such artists as marvin gaye, chaka khan, diana ross and gladys knight (their solo hits include >solid<). this is the first time many of these have been assembled on one collection, but expansion have gone one step further by combining the hits with seminal disco records like >over & over< (sylvester), the two-step anthem >keep away girls< (stephanie mills), the awesome >california soul< (by marlena shaw, as utilized by kfc), the modern soul smash >top of the stairs< (collins & collins) and an exclusive remix of >aint no mountain high enough< (marvin gaye/tammi terrell).

schon als jugendlicher interessierte er sich für r&b-musik und gründete eine high-school-band (the spades) mit jerry byrne (lights out) als sänger. rebennack wurde einer der ersten weißen musiker, der regelmäßig bei r&b-sessions in new orleans spielte und als fester studiomusiker bei den legendären ace records arbeitete.

2nd part with more high quality dub techno... ltd green transparent vinyl... please make preorder to save your copy

the notorious guillaume & the coutu dumonts makes a triumphant return to circus company after last year’s critically acclaimed album, breaking the fourth wall, with 3 deeper than deep (s)explosions sure to become omnipresent fixtures in the sets of damn near any dj with even a shred of good sense in the months to come. >ubiquitous gaze< gets the ball rolling in classic coutu dumont style with a rollicking sea of percussion thankfully populated with a few desert islands of respite in the form of a gorgeously lush string and piano arrangement and the soft meandering monologue of a certain well known musician discussing his craft. b side leader >youre the one< comes on strong with a bouncing d-town bassline and soft stabbing chords that would make kenny larkin proud before rolling out a high stepping lead organ and swinging vocal chops before tying the whole funky mess together with one of his trademark charging conga lines. known for his unbound generosity and proving it here once again, a beatless stringapella of >ubiquitous gaze< closes out the flip in fine style for those inclined to ride this one into a full epic journey territory. yet more proof, as if any were needed, of guillaumes place at the very top of the mountain called house

fact: a surging, relentless dance-inducing epic. high pressure rolling energy beats and distorted vocals give you a sound rush for the big room and that?s 100% pure fact! clamy: jolts of rhythmic beats like ska on speed give this hypnotic people mover a reason to scorch the clubfloor.

montreal imprint swing and skip drops its second 12 inch, featuring tracks from hotly tipped manchester producer damu, label head hgldt, and producer resketch on the remix duties. riding high from much media attention, serious dj support, and killer releases on local action and keysound approaching boiling point about now, damu grabs the headlines with >2010<, a deep funky roller combining the producers trademark mix of house, garage and eski influences. s&s captain hgldt delivers >knowing you< on the flip, a smooth and melodic house-x-garage jam supported by many, first on the list since months back being dusk & blackdown. finally, resketch follows up from his recent well rounded 12 inch with a remix of >knowing you<, going in for a deep and heavy garage-meets-dub techno hybrid.

lodubs sublabel special request brings this fresh plate from jaybird. the main cut on this 12 inch is a heavy tune with a serious 808 workout. 6blocc also steps in for a huge remix on flip. expect big bass, high energy synth work, and a great dancefloor response. download code included!

electric deluxe is proud to present the new terence fixmer ep le terrible. and as the name already suggests this ep is up for some serious damage. a side kicks off with le terrible a dynamic and powerful monster of a techno track which pumps up your adrenaline with its pounding bass drum and hypnotic built ups. gut feeling! b1: concept c is a strong track in which terence fixmer works his production magic with more experimental elements such as drone sounds and his ragged and slightly distorted signature bass. nonetheless creating a high energy level tune ready to be unleashed on the dancefloor. b2: last with the vinyl version dance like paranoid (marcel dettmann remix). marcel dettmanns remix wins you over by its carefully arranged melody and drum pattern which creates a melancholic and timeless rave anthem. bliss!

rob sparxs original mix kicks off with a funky 2-step riddim, layered with soulful guitar licks, penetrating synths and some extra deep bass to get you moving. the tune progresses into a super-funky, filtered disco beat leading into a high-energy buildup that will have any crowd going nuts. the drop combines beautiful haunting vocals, brain-rattling bass and sexy synth stabs in a >purple< fashion that has already made an impact on dancefloors worldwide. not to be taken lightly, this ones a heavy-hitter and still maintains its class!

the future of hidden recordings is vibrantly on display with the young producers m.a.d.a. & plankton, who are already a hot property these days with crucial releases on tanz factory, naked lunch, phobiq, sleaze, eminor and more. it seems only natural that the duo would eventually cross paths with the high flying new york city based hidden recordings, a label soaring on the success of its previous two releases - 013hrwolkenreise and 012hrthe great lawn. the union here is a blast of refined techno in the form of antiz. the ep is as dark as midnight and heavy as a load of bricks with a musical character that is memorable and distinct. hidden once again shows its commitment to releasing quality dance floor music with a hard-hitting original and a hand-picked collection of remixes from other well-respected new techno stars including: sasha carassi, alejandro trebor, felix bernhardt, mike wall, michael schwarz, and hidden founders deepak sharma & dieter krause. hidden recordings once more delivers a massive release, this time to celebrate the next generation of producers forthcoming on the label.

the sun is shining, the drinks are flowing and the music is bumping. summer is well and truly here and what better way to top off the best season of the year than with a 4 track summer sampler from the blockhead camp. as we have come to expect from team blockhead, they have provided us with another solid release with 4 tracks of pure bumpy tech house that would appeal across a far and wide ranging dancefloor. deep basslines, high top shuffles and infectious melody hooklines will keep the feet stomping and heads nodding. give it a spin and see the floor bounce!

>facing forwards< and >who can say?< is the second single to be taken from talis hotly anticipated forthcoming second album >dark days, high nights< which features collaborations with benny page, dirtyphonics, shimon, skism, ed rush, atlantic connection, and lynx to name but a few. the album is released on shimons much hyped new label audio porn, which after little over 10 releases, has become one of the most talked about labels in drum and bass, dubstep and beyond with releases from the likes of camo and krooked, dirtyphonics, xilent, shimon, ram trilogy and of course tali herself.

6 track ep with pumpin techhouse techno action

it is with great pleasure that we announce the release of our very first vinyl compilation on acre recordings.
we are proud to present music from funckarma (djak-up-bitch, ad noiseam), ben milstein (touchin bass, pyramidtransmissions), phausis (rebel intelligence) and c. mantle (handsette, spacebar sentiments).
the release has been mastered by the highly regarded denis blackham of skye mastering and the audio quality is, as we wished, extremely high. the cutting is by mobineko - also excellent quality and not hyperloud. the 1950s influenced constructivist graphic design work is by lawrence clift.
this is a limited edition of 250 copies.

with over ten years production experience, the proverbial bar of expectations has been set high for smash tv aka holger zilske and kai preussner and their forthcoming release steroids to heaven. first up on this celebrated ep is steroids to heaven, a glitchy tech house number with an astonishingly catchy bassline, reticulated with a mass of synthesized effects and an intriguing vocal sample. pitched drums and a grooving, energetic bassline conspire with one another in made for eachother driving the track forward alongside a sliced vocal sample which, after a beautifully housy breakdown, is given its full debut. judging from this fine release, smash tv is still in top form, ready and able to set the bar of expectations even higher for 2011.

>over< is the undisputed highlight song of gusgus brand new album >arabian horse<. right in time for high summer season we proudly present a remix package that takes no prisoners. after taking dancefloors worldwide by storm with their remix of whomadewhos >every minute alone<, italys hottest export tale of us & tennis return with another mighty roller. that bassline definitely puts the deep back into deephouse and makes you wonder how sexy this summer will be. mood musics sasse is no stranger to our label. alongside robert johnson guru ata he has remixed one of our catalogues most cherished classics: jürgen paapes >soweit wie noch nie<. so it was about time to invite him again. his vocal and dub mixes perfectly catch this summers omnipresent oldschool house vibe. president bongo delivers an absolutely massive dark acidic take complete with heavenly strings and things. and last but not least gusgus very own bigir veiran takes control for another uplifting neohouse mix that is slightly reminiscent of a certain robin s - but very different of course. voila - choose your weapon and go party!

autoreply offshoot stuga musik picks up where it left off with another three tracks of deadly effective, club-friendly madness. having held a residency at berlins legendary bar 25 club and recording for high calibre labels such as district of corruption, thema and little helpers, the arrival of beaner to the stuga family is something to be celebrated. he serves up miles then mccoy, a nine minute epic that effortlessly fuses tight linear drum programming with freeform sound design and loose instrumentals that thunder along towards an exciting clima

180g high quality vinyl album